12.08.2006
11.10.2006
10.15.2006
10.14.2006
perception
posted by [ j e n n ] at 10:11 AM
10.12.2006
sometimes people suck
oh dearest me, let me just skip a heartbeat and jump up and down to celebrate the wonderful joys of being a team-player...argh...*do you hear the blatant sarcasm just exuding from the pores of this page?*
posted by [ j e n n ] at 1:21 PM
10.08.2006
can you spell headache?
posted by [ j e n n ] at 8:22 PM
10.05.2006
ipod shuffle play an be evil
i keep wanting you [lord} in so many ways
i cant get you off of my mind
but true love is so hard to find
i want yet another day
i need another day
darling, let me have another more day
and i can be anything that you want me to be, now
the sweet things you used to do to me
sometimes you used to say them to me
i can't forget those lovely days
but this is the price i am about to pay
i want another day
you can let me have just one more day
I need one more day
and I will do anything that you want me to to
i will do anything that you want me to do, now
say anything that you want me to say
buy you anything you want me to buy
and i can cherish you till the day I die
if you let me have another day
please let me have one more day
i want just one more day [lord}
and it can be anything that you want it to be
posted by [ j e n n ] at 11:48 AM
10.04.2006
disguise
posted by [ j e n n ] at 10:28 AM
the key to a good morning smile
adventures wait for me. *smile*
posted by [ j e n n ] at 10:25 AM
9.28.2006
for me
just about the nicest thing anyone has written about me...now i've got warm fuzzy feelings that will last me throughout the day, which is a wonderful comfort for a thursday.
posted by [ j e n n ] at 11:25 AM
9.26.2006
dilemna
what happens one has absolutely nothing to say?
i spent the day bottled up at work...speaking hardly more than 100 words in a period of 8.5 hours. the most i talked all day was when receiving a phone call from an old friend in california who just rang to tell me of a memory that was stashed in a box of his.
perhaps that is why i feel like exploding now with words and my mind is racing with thoughts...but for some reason i can't get them out. there is no one to talk to, and my blog seems like a blank face with whom i just do not feel like conversating with tonite.
so, i don't want to talk...and yet, i somehow miss the sound of my own voice.
posted by [ j e n n ] at 10:54 PM
9.25.2006
"all that is solid melts into air"
i know very little what this book is actually about, but the phrase draws my mind to other places. i've just been thinking: what shall i write? what was important to me today? what did i see that struck a chord? what are the things i need remember?
the things which were so solid for me just hours ago, have now all melted into the thin, thin air.
if i did not write it here...right now...at this very moment...that last friday i witnessed a couple so in love on the subway that made my heart jump and giggle for joy, would i remember how the sparkle in her eyes died as soon as he left her two stops before she herself left me? *a pause to smile and imprint their smiling eyes and squeezed hands that was so vivid*
it is not only memorable moments which dissipate with time. i look back and remember motivations, goals, aspirations that i once considered so dear, so solid in this case...those too have melted into the thin. yes, there are certain dreams which have sustained throughout (perhaps the most strong of cases my desire to pursue a knowledge of what architecture is)...
but it would require much more careful thought to understand where and why those deviations have occurred, when was the moment they turned from a solid thing into air. did it take a long time? or was it instantaneous?
anyhow, the point of all this was: whatever i thought was important and worthwhile of the day, whatever list i was going to put here for me to remember to do, it all seems without meaning as my mind wanders towards the pillow and dreamland. i myself long to be caught up into the clouds and dream of being thin...
posted by [ j e n n ] at 10:18 PM
9.24.2006
*poke*poke*
he sat behind me me on the couch, not more than 6 feet away. he was intent on his laptop. i was intent on my blog catching-up. the yellow high-lighter, and yellow post-it caught my attention, and from the silence i wanted to say hello in a cutsie, creative way. therefore...the howdy via yellow post-it. i spun aroun in my orange chair and flashed its message his way. he smiled, and emitted a small chuckle. i spun back around, and smiled and chuckled myself.
silliness is important. it is what keeps us sane. it is what keeps us smiling. it is what keeps the mood light and free, open even. if we cannot laugh at silly noises made at otherwise inopportune times, or giggle at crunchy bone-cracking, then there exists no fun, no games. without fun or games, we would live in an extremely bleak and dull world. who says that just because we are "grown up", with "real jobs", living a "mature" life that our mouths are forbidden to crack upwards.
let the funny noises ensue and allow the bone-cracking to persist. it is these moments that i will remember fondly. in turn, it will be these memories that will make me laugh once more even when i am old and grey.
posted by [ j e n n ] at 11:05 PM
make-up post #2 (for 09.23.06)
as an attempt to give myself a good creative project, plus have something to post on my website, i've decided to make a map that shows all the places i've been/lived/worked (him too)...this is the beginnings of that list...i'll need to wrack my brain to remember those childhood road/plane-trips. but i'm excited that it will give me a chance to talk with mom & dad about all the places we've traveled. it will also be a good opportunity for me to ponder all those places that i have yet to visit and explore. i'm getting that 4 month itch to get on a plane and go somewhere, to see something new...i know, i know...i've just moved to new york and that should be enough new....but i crave adventure requiring more than just a subway ride.
posted by [ j e n n ] at 9:45 PM
make-up post #1 (for 09.22.06)
the internet has been down and out, just like the L train, this weekend. thus the behind, and lack of posts. in my attempt to make it up, i thought that i would take a few little snippets from my moleskine, of thoughts and notes that were profound and important to me.
this first snip, are clips of an idea that relates to making as a way of seeing. this idea has been around along time already, however, at the time of my scribbles, it was my own little revelation of how living a life of making (architecture in this instance) was directly applicable to me.
the first diagram shows this process of think-act-reflect, in a continuous circle...and it is something which can be translated into anything you are doing (making a drawing, writing a letter, preparing a grocery list). the next line in the notes: "too much reflection without action makes me nervous...the same goes for thikning"...hehe, there is so much truth to this, all three must be acting in a balance, neither one can overpower the other.
th remainder of the notes are for those who are nerds like me...there are references to filibert de l'orme's "allegory of the architect" (whose wood engraved prints are just amazing...i was lucky to see a copy of one of the first printed books while in montreal). also, a treatise i think that was entitled "fabrique"/"fabrica" where the frontispiece shows a surgeon holding an arm and in the process of anatomical studies...there is also a note how corbusier's famous sketches/concept of the open hand looks often like there is an eye within the palm itself. his drawings of the open hand, also can be seen as a closed hand. an open hand implies receiving, whereas a closed hand implies a hand of action (think of a hand which holds a tool). it could be conceived then that this hand is not one which is merely open/closed but rather a giving hand. a hand which gives is the union of the open & closed together (recall the process of making, something which created/given by its maker).
posted by [ j e n n ] at 9:10 PM
9.21.2006
blog-a-day-project
i've been told by many that i see things much differently than the average human bean. i concoct stories in my head that make what i see into what i feel. these stories often pass from my eyes thru my brain, but are never uttered by my mouth or recorded by my hand. sometimes these stories become evident in my drawings/collages, but in this area i also have been slacking as of late.
this is my own personal kick in the bum to get my creative self moving again...please help to keep me accountable.
posted by [ j e n n ] at 11:17 AM
9.20.2006
song of the day
good mood...feeling productive...slept soundly till the three alarm snooze went off this morning. i woke next to him, who was still sleeping heavily, i touched his hair and kissed his cheek and stared at him for a while before finally getting out of bed to get ready for work. i have real work now at my archi-job and it feels refreshing to come in have something important to do. i've officially hit the two week mark and survived...i almost know everyone's name, and a routine has been settled into...well almost. i've been set up with my own personal phone line. they've set up architectural desktop on my computer specifically for a project i will begin working on soon. my desk is becoming full of "stuff"...redlines, trace paper, aerial photos, starbucks coffee cups. my ipod has a home, and i've finally been given a cup for my pens and pencils. all that is lacking is "my essence"...the photo that resides at everyone's cubicle that says their name + photo of their choosing. i've adjusted my chair to it's proper spot, hopefully preventing massive back pain, but it still doesn't fit quite right.
at home my finances seem to be shaping into an order of some sort. finally i'll be able to feel like a responsible adult again, able to pay my own bills, save my own money, think of that exotic vacation that i am dead set on taking next year to somewhere...*sigh*...if all goes well, i'll actually be able to afford toys & luxuries again (new camera & mani/pedi-cures, who could ask for anything more to make this little girl happy?)...ah...reminds me, i need to find taht moleskine at lunch...
i leave you with the happy song for the day, "white shadows" by coldplay. my buttercup of an ipod has been on continual shuffle these days and for some reason as this played, my mood lightened and ears perked at the lyrics...my first song to add to the beginning of a new york soundtrack. three minutes till lunchtime...
When I was a young boy I tried to listen
Little white shadows - blink and miss them
Part of a system I am
If you ever feel like something's missing
Things you never understand
Little white shadows sparkle and glisten
Part of a system, a plan
All this noise I'm waking up
All this space I'm taking up
All this sound is breaking up
Maybe you'll get what you wanted
Maybe you'll stumble upon it
Everything you ever wanted
In a permanent state
Maybe you'll know when you see it
Maybe if you say it you'll mean it
And when you find it you'll keep it
In a permanent state, a permanent state
When I was a young boy I tried to listen
Don't you wanna feel like that?
You're part of the human race
All of the stars in the outer space
Part of a system, a plan
All this noise I'm waking up
All this space I'm taking up
I cannot hear you're breaking up
Maybe you'll get what you wanted
Maybe you'll stumble upon it
Everything you ever wanted
In a permanent state
Maybe you'll know when you see it
Maybe if you say it you'll mean it
And when you find it you'll keep it
In a permanent state, a permanent state
Swimmin' on a sea of faces
The tide of the human races, oh
An answer now is what I need
See it in the new sun rise and
See it break on your horizon, oh
Come on love stay with me
posted by [ j e n n ] at 12:09 PM
9.19.2006
an attempt to fling myself into the deep, dark, temple lair
I've been missing this place of writing lately. I've had the yearning to let my fingers flow, to let my mind ramble on as it so often does, to open up and share the things that are continually getting stored and buried inside of me. I blame it on the change, on my laziness, on my "falling into a routine". I blame it on being happy and content, and for the first time in a long time, being able to let my guard down and breathe a deep breath of New York grime.
As most of you know, I've begun working my new job, decidedly finished with school, moved to a new city, settled with a new boy (well not so new I suppose, it's been 2 New Year's now since we exchanged first glances), finally found a place for most everything in the apartment (there still remain a few boxes with stragglers searching for their place to be).
I wish I could say I miss my friends, I miss my old life, I miss something...but I don't. Although I am not beaming with joy yet (the noises and the mass amounts of people are taking time to grow accustomed to), I find myself not at all longing for any of the last five years in that place I could never really call home. I leave work now, today for example, with the thought and more importantly, the knowing, that there is someone waiting for me, ready to greet me with a smile, albeit from behind a laptop screen, but there nonetheless. There is a peace in my heart, and the hurt and wounds of years long since past are finally not even on the cusp of being remembered.
*pause*
I'm reading Henry Miller's "The Rosy Crucifiction"...I've merely begun to read Part One entitled "Sexus" but have already found a thousand gems that I find solace in:
"To write, I meditated, must be an act devoid of will. The word, like the deep ocean current, has to float to the surface of its own impulse. A child has no need to write, he is innocent. A man writes to throw off the poison which he has accumulated because of his false way of life. (Note to self: This remind me of a preview we just saw recently which said: New York is the place where people go to be forgiven...this resounded with me, especially while I continued to ponder whether I truly had moved here or not to do just that - be forgiven.) He (back to the writer) is trying to recapture his innocence, yet all he succeeds in doing (by writing) is to innoculate the world with a virus of his disillusionment. No man would set a word down on paper if he had the courage to live out what he believed in. His inspiration is deflected at the source. If it is a world of truth, beauty and magic that he desires to create, why does he put millions of words between himself and the reality of that world? Why does he defer action - unless it be that, like other men, what he really desires is power, fame, success. 'Books are human actions in death,' said Balzac. Yet, having perceived the truth, he deliberately surrendered the angel to the demon which possessed him.
"A writer woos his public just as ignominously as a politician or any other mountebank; he loves to finger the great pulse, to prescribe like a physician, to win a place for himself, to be recognized as a force, to receive the full cup of adulation, even if it be deferred a thousand years. He doesn't want a new world which might be established immediately, because he knows it would never suit him. He wants an impossible world in which he is the uncrowned puppet-ruler dominated by forces utterly beyond his control. He is content to rule insiduously - in the fictive world of symbols - because the very thought of contact with rude and brutal realities frightens him. True, he has a greater grasp of reality than other men, but he makes no effort to impose that higher reality on the world by force of example. He is satisfied just to preach, to drag along in the wake of disasters and catastrophes, a death-croking prophet always without honor, always stoned, always shunned by those who, however unsuited for their tasks, are ready and willing to assume responsibility for the affairs of the world. The truly great writer does not want to write: he wants the world to be a place in which he can live the life of his imagination. The first quivering word he puts to paper is the word of the wounded angel: pain. The process of putting down words is equivalent to giving oneself a narcotic. Observing the growth of a book under his hands, the author swells with delusions of grandeur. 'I too am a conqueror - perhaps the greatest conqueror of all! My day is coming. I will enslave the world - by the magic of words...' Et cetera ad nauseum." (pages 17-18)
I am going to attempt to write everyday, from here on out, whether I have something "worthwhile" or not. I need to get back into my habits that I find a comfort for me, the writing, the drawing. I've been without a proper moleskine to draw in, and I've been without a proper mood to write in. I intend on finding the art store that sells my particular sketchbook, and to forget about trying to find something important to say. I intend to throw myself back into my imagined story life where reality makes itself real for me. I want to share my life of imagination with you so that you can tell me how silly I am, how real I am. The only way that truths or knowledge can become evident, are thru dialogue and conversation with another. And even the most enlightening conversations begin everyday with just a simple hello...In this manner of thinking, why do I continue to believe it necessary to confess some great discovery (i.e. "The world is round.")...
*pause again*
So anyhow, and anyways, here I am, just saying, "Hello."
posted by [ j e n n ] at 10:00 PM
9.18.2006
ownership
from "the new york times" on september 16, 2006:
"Who owns memory? Or, perhaps more pertinently, who selects memory? History, it was once said, is what countries try to remember and try to forget. But for humnity that is hardly an adequate formula. The horrors that people would like to forget...are often those that they should remember. for many individual memory is easier than collective memory. And Pierre Levi's suitcase? Well, in a sense, by fighting to secure his own memory, Mr. Levi-Leleu has reinforced the collective memory. He wants to recover his father's suitcase but, in the process, he has also drawn attention to all other suitcases...whose owners will never be known."
posted by [ j e n n ] at 10:32 PM
8.27.2006
8.22.2006
it's been a long time...i'm sorry but i don't write when i'm unhappy...
"To write, I meditated, must be an act devoid of will. The word, like the deap ocean current, has to float to the surface of its own impulse. A child has no need to write, he is innocent. A man writes to throw off the poison which he has accumulated because of his false way of life. He is trying to recapture his innocence, yet all he succeeds in doing (by writing) is to inoculate the world with a virus os his disillusionement. No man would set a word down on paper if he had the courage to live out what he believed in. His inspiration is deflected at the source. If it is a world of truth, beauty and magic that he desires to create, why does he put millions of words between himself and the reality of that world? Why does he defer action - unless it be that, like other men, what he really despires is power, fame, success. 'Books are human actions in death,' said Balzac. Yet, having perceived the truth, he deliberately surrendered the angel to the demon which possessed him.
A writer woos his public just as ignominously as a politician or any other mountebank; he loves to finger the great pulse, to prescribe like a physician, to win a place for himself, to be recognized as a force, to receive the full cup of adulation, even if it be deferred a thousand years. He doesn't want a new world which might be established immediately, because he knows it would never suit him. He wants an impossible world in which he is the uncrowned puppet-ruler dominated by forces utterly beyond his control. He is content to rule insiduously - in the fictive world of symbols - because the very thought of contact with rude and brutal realities frightens him. Tru, he has a greater grasp of reality than other men, but he makes no effort to impose that higher reality on the world by force of example. He is satisfied just to preach, to drag along in the wake of disasters and catastrophes, a death-croaking prophet always without honor, always stoned, always shunned by those who, however unsuited for their tasks, are ready and willing to assume responsibility for the affairs of the world. The truly great writer does not want to write: he wants the world to be a place in which he can live the life of his imagination. The first quivering word he puts to paper is the word of the wounded angel: pain. The process of putting down words is equivalent to giving oneself a narcotic. Observing the growth of a book under his hands, the author swells with delusions of grandeur. 'I too am a conqueror - perhaps the greatest conqueror of all! My day is coming. I will enslave the world - by the magic of words....' Et cetera ad nauseum." -Henry Miller, "The Rosy Crucifiction, part 1: Sexus", p.17-19
posted by [ j e n n ] at 10:27 PM
8.09.2006
7.28.2006
no wonder me & her get along so well
isabelle, isabelle, my darling isabelle...
needy child
you scored 80 neediness! OK, so it seems like you have that needy child inside, that child that needs to feel loved and wants everybody showing him they love him/her all the time, or else he feels unwanted; that child who cries when he/she is left alone in the house, the not at all independent child... sweet huh? only that freakin' kid u've got inside is screwing any chance of getting a decent lady/guy!! but in your case this needy thing only comes out from time to time, not all the time; so my advice is sending that fucking kid to foster home and be the secure adult you are supposed to be.
posted by [ j e n n ] at 1:13 AM
selfish song of the day
Through a practice that I call donation
I get the things I want quite easily
I got a chip on my shoulder
And a halo on my head
I'm an angel with an attitude
And my favorite color's red
I got god on my side
Who's that? Hell, I don't know
But I practice my religion
While I'm stepping on your toes
Goodness knows
I gave more than I took
Goodness knows
I ain't no saint I ain't no crook
Looking hard, yeah you busy bee
For a simple word you charge a simple fee
It's a little too late for too little
But it's never too late for a lot
It's a little too late for too little
But it's never too late to take 'em for what they got
Feed the world a giant crust of bread
Bake a cake and give it to 'em when they're dead
Well I'll take that cake and I will eat it too
I'll get more than I need so I can share the rest with you.
"Angel With an Attitude" by the DittyBops
posted by [ j e n n ] at 12:15 AM
7.26.2006
choking
"'The only frontier we have left is the world of intangibles. Everything else is sewn up too tight'... The unreal is more powerful than the real. Because nothing is as perfect as you can imagine it. Because it's only intangible ideas, concepts, beliefs, fantasies that last. Stone crumbles. Wood rots. People, well, they die. But things as fragile as a thought, a dream, a legend, they can go on and on. If you can change the way people think, she said. The way they see themselves. The way they see the world. If you do that, you can change the way people live their lives. And that's the only lasting thing you can create. Besides, at some point...your memories, your stories and adventures, will be the only thins you'll have left...'My goal is to be an engine of excitement in people's lives'...'My purpose is to give people glorious stories to tell.'"
posted by [ j e n n ] at 7:40 PM
what once was there, will never be again, a story must be told
*sigh*
following one link to another link to another via blog after blog, i fortuitously found a post dedicated solely to the old palast. it seems that it is bound for the land where only memories will keep it alive...demolition has begun already.
the beauty of this building was not the built entity of the palast itself, but rather the wonderful reflections of berliner dom from across the street. in reality, the domes that rest atop the baroque church are made of copper, the patina has turned to its green, but in an ugly manner that makes the church look dull and uninviting.
but in the reflection of the palast's bronze-like windows, the domed church takes on a life of its own. it becomes golden, a little mirage of heaven and not of this world where time destroys and weather copper and makes marble stain with dirt. in the relfection the building remains pristine & glorious.
i wonder if those who are tearing down the palast realize this: that in the demolition of the palast they are in fact really destroying the life of two buildings.
the images they use show the palast alone, decrepit...a ploy to hide the real wonders of the building...look closer and you might be able to have that wonderful silent conversation that i stumbled upon that day. just you and the golden domes, with the magical bronze windows as the mediator.
the death has already begun, and you can watch it here.
posted by [ j e n n ] at 12:46 PM
creating my own personal happiness for the day
posted by [ j e n n ] at 1:11 AM
7.21.2006
what heaven must be like...
"California Coastal Records Project>>>Welcome to the California Coastal Records Project, an aerial photographic survey of the California Coastline from Oregon to Mexico. See this remarkable survey with many implications and uses."
*siiiiiiggggh* now i can visit my own personal piece of heaven (my favourite california beach of course) whenever i want...*big happy, wonderous smiles*
posted by [ j e n n ] at 11:55 AM
7.20.2006
celebrity status
my boyfriend is famous.......and i am officially not. ;( the four eyed monsters used HIS picture in episode 7.6! he was soo incredibly happy...i know he was hiding it for my sake but i could see him secretly doing cartwheels inside. see if you can spot his picture yourself!
posted by [ j e n n ] at 4:16 PM
*gulp*
you are 68% evil |
You are very evil. And you're too evil to care. Those who love you probably also fear you. A lot. |
posted by [ j e n n ] at 4:10 PM
connections to dorian gray
btw...i finished the book at last! woohoo! and it occurs to me that stories that are written today have no moral to them. it seems that in previous centuries, literature and the author wrote for the purpose of "having something to say"...to express some notion to the general audience that everyone "knows" but is afraid to say out loud. a friend of mine just finished reading "pride and prejudice" by jane austen and i "the picture of dorian gray" by oscar wilde. i recall the immense sympathy that i felt for raskolnikov in doestoevsky's "crime and punishment". the modern novel, perhaps i haven't read too many novels written of our time, doesn't seem to possess the same type of power to relate the character to you, the reader.
for example, although dorian gray was a 20 something male who had a benefactor which made him forever wealthy, attending operas and smoking in opium dens, i could very much understand the voice in his head. i'm definitely not forever wealthy, nor have i ever been to an opera and much less an opium den, but i could hear the conversations of thought that made his heart & motives go tick-tock very much within my own self.
everyone is in love with the dan brown novels these days..."the davinci code" and "angels & demons". i haven't read them yet, and so maybe i'm judgments that i shouldn't, but i just can't imagine how these books can "speak" to an audience for such a long period of time. what are going to be the dorian gray's and elizabeth bennett's of our day?
maybe eric is right...in our day and age, no one wants to be reminded of morality.
posted by [ j e n n ] at 1:18 PM
7.15.2006
a map to add myself to...
i'm here sitting in liz's new apartment, next to my darling liz. we are silent at the moment, both tip-typing away on the laptops (flashbacks to java-u!)...i owe her much loove for letting eric and i stay here with her and ruining her weekend of good sleep (she's putting herself out on the twin sized air mattress just for he & i...poor girl). anyhoo, i owe her dinner...something more rewarding than just a hug. we went out last night and had drunken ice-cream twisted, of course, and massive amounts of fries (more flashbacks to $2 canadian chinese windows). i'm going to like being in this city...
now, eveyone just keep their fingers crossed that the apartment we want will be ours by tomorrow afternoon...pray for divine intervention this time.
posted by [ j e n n ] at 6:41 PM
7.12.2006
we've been spending a lot of time on blankets & sitting with one another
posted by [ j e n n ] at 1:28 AM
posting just to post
the boy has been here with me now for a month and this in itself was change. i was fearful and scared of this by itself, not to mention the prospect of moving to new york with him, living with him, and just plain BEing with him. i am secretly happy that our july 1 apartment fell thru the cracks, it has minimized the stressed and drastic changes of getting to know each other + finding a new job + living in a new city rather to just enjoying each other's company...and for this i am very grateful. although at times i realize that he himself has picked up and changed cities and is in a sort of waiting zone...sigh...
so...i wonder just exactly how much i need to write to get that "i'm drunk" post off the top of the page...
did i mention that i bought my very own domain www.linesthatwalk.com the other day and started fiddling around...there isn't too much to see at the moment, just some tinkering that i did in flash, but hopefully soon it there will be more pretty things to see. i'm so happy that i could name it after my favourite paul klee regiment - "a line is merely a dot going for a walk" - you can see my silliness and how i made my dot go for a silly little shuffle across your screen.
i'm sorry i haven't been more blog inspiring or flickr happy...as i say, i write when i'm happy...and tho i'm happy (er, content is probably better) i am not settled and so that leads to unease and a discomfort that keeps me from writing constantly. i don't want you to worry, it's nothing to get upset about...change is in the air, that is all...
posted by [ j e n n ] at 12:56 AM
6.29.2006
6.28.2006
and....
he's dancing to le tigre's "let's run"!!!!!!!!!!!!!!!!!!!!!
posted by [ j e n n ] at 1:51 AM
boxers
if he says,
"do you want these boxers that i hate?"
what do you say????
"of course i want them dear...."
posted by [ j e n n ] at 1:47 AM
6.22.2006
i wanna go...anyone wanna be my date?
Washington, DC - avalon theatre
wednesday, june 28th @ 8:00 PM
print B&W flier | directions | Who is attending
trailer | Video Podcast
posted by [ j e n n ] at 1:33 PM
6.15.2006
aw man..why you gotta tease me like that?
so i didn't take this picture...but it is what awaited me on my firefox browser when i went to check the daily news happenings...above this cute little green monster were the words "montreal festival city"...ack! with the following link to this article talking about all the splendors of montreal...double ack!
i mean c'mon! this is torture! i KNOOOOOW montreal is wonderful already...one slight problem...i'm not there!
posted by [ j e n n ] at 9:36 AM
congratulation flashbacks
warning: ok...so this posting is mainly because i want to celebrate with my favourite montreal girls tonite....they've worked so hard and i know must be completely exhausted but there is always room for a little shaky-shaky! i miss you guys...wish i were there so we could fall off stages together and jump out of cabs because we are about to puke...to walk home with each other and laugh at such high pitches that it is just plain annoying! congratulations, my dears! i'm so very proud of you!
anyhow, this is for you my dear gul, isabelle, and liz. i miss you all so very very much...be patient in the very beginning since the screen will be black and playing music from that night. i think we were on the stage at that point...not yet falling off it!
this video has been removed to protect the character of those involved.
posted by [ j e n n ] at 12:39 AM
6.11.2006
so happy togetheeeeeeeeeeeeeeer...la la la la lalalala la la la tralala laaaaaaaaaaaa
posted by [ j e n n ] at 12:39 AM
5.16.2006
logical inter-connections
Other people are channels or furrows through which the waters of the sea flow, but only as those people please. The curved course of their tendencies is marked by the flashes of the sun in the water in a way that is much more real than the dryness of those people could do it.
My rapid analyses may make me seem like a parasite in my relations with other people, but what actually happens is that I oblige them to be the parasites of my last emotion. I take possession of the shell of their individuality. I copy their footsteps in the clay of my soul, but I step down harder than they and by incorporating those footsteps into my consciousness, I have taken their steps and walked their ways for them.
Generally, out of my habit of duplicating myself and carrying out two different mental tasks at the same time, I – even as I adapt myself excessively and lucidly to their feelings – am analyzing within myself their unknown moods, making a purely objective analysis of what they are and what they think. Thus, in dreams and without giving up my uninterrupted daydreaming, I proceed, not only living the refined essence of their (at times) dead emotions, but understanding and classifying the logical inter-connections among the various forces in their spirit, which at times exist in a natural state within their souls.
And while all this is going on, nothing of their physical features, their way of dressing, or their gestures escapes me. At the same time, I live their dreams, the soul of their instincts, as well as their bodies and their attitudes. In a grand, unified dispersion, I situate myself within them, I cultivate them, and during every moment of the conversation I am a multitude of beings, conscious and unconscious, analyzed and analytic, all deployed as if on an open fan.
posted by [ j e n n ] at 4:34 PM
5.10.2006
almost 9am & coming back on the train
No words to convey
This feeling inside I have for you
Deep in my heart
Save from the guards
Of intellect and reason
Leaving me at a loss
For words to express my feelings
Deep in my heart
Look at me losing control
Thinking I had a hold
But with feelings this strong
I’m no longer the master
Of my emotions
posted by [ j e n n ] at 9:43 AM
5.04.2006
the pilgrimage that i am on
-thoughts of thesis clutter my head like butterflies in a net
-thoughts of moving to a new city and the horrible new york walk-up apartment + me having tons of books
-thoughts of another moving closer to me and how happy/anxious that makes my heart
-thoughts of two worlds colliding into one and me being left all together holding nothing but my heart
-thoughts of looking for a job excite me, yet i hate it, you know...the whole process of resume/portfolio/waiting/interviews/choosing...i wish someone would just call me tomorrow and say be here monday morning at such and such time
-thoughts of summer in the air accompanied with desires to go and sit on the grass, soak in the sun, and just be
-thoughts of my dear gul and the wonderful grateful dead photo remind me of love and friendship and how this is all we need in this world to be happy...who needs a master's or phD? i shouldn't tell myself that till next tuesday.
ok back to my pilgrimage or sorts...time tos tart the day and design away. i want my project to be beautiful. right now i am worried because my drawings are not beautiful. they are all auto-cad-ed up and not so pretty. i'm having a hard time trying to decide since this is not my thesis defense presentation, but merely a final progress review for the semester, how do i continue working without showing my normal "finished" drawings. from now until tuesday, i feel that my project needs a few layers of depth added, in meaning and in drawing...i hope that design approval will come easier than at midterms...if not, i'm about ready to tear my eyes out.
posted by [ j e n n ] at 10:39 AM
5.03.2006
my sleep pose
Find your own pose!
Toboggan Traits and Tendencies | Tobogganeers are always one step in front of their peers; they're first to buy a house, first to microdermabrate, first to spend more than a thousand dollars on a rug. Yet in their rush to get ahead of the curve, Toboggan couples sometimes find themselves racing in two entirely different directions. If they don't check in frequently to make sure they're both on the same track, they can grow impressively far apart, and it can take a great deal of painful maneuvering and many late-night talks before they reconnect once again. |
Comfort Zone | Toboggan is a Sun Sleeper pose. Other Sun poses a Tobogganeer might enjoy include Big C Little c, Classic Spoons, and The Heimlich. |
A Note About Feeding | Tobogganeers have two modes: fed and calm, and unfed and frantic. To prevent bickering and other erratic behaviors, always keep the pantry and glove box well stocked with a supply of crackers and spreadables. |
posted by [ j e n n ] at 11:36 AM
4.23.2006
4.17.2006
la-la-la-land
where, oh-where has little one gone?????
where, oh-where can she beeeeeeeeeeeeeeeeeeee????
*the sound of her humming voice fades into the distant background*
posted by [ j e n n ] at 4:57 PM
4.07.2006
4.05.2006
"the big lebowski" for future reference
Walter Sobchak: Am I wrong?
The Dude: No you're not wrong.
Walter Sobchak: Am I wrong?
The Dude: You're not wrong Walter. You're just an asshole.
Walter Sobchak: All right then.
posted by [ j e n n ] at 2:57 AM
4.04.2006
pontificating cheap
Take these notions in hand for a moment and cross the boundaries into the realm of architecture. Cheap means budget conscious. It connotes other ideas of pre-fab and sustainability. Images of small habitable box houses come to mind. But it also means that after ten years stucco is falling off the side of walls, the roofs are beginning to leak, floorboards starting to creak. It means imitation and disintegration. At what point did the words quality and cheap become so far removed from one another? How can that discrepancy be reconciled?
Realizing the importance words have in the telling of our narratives is essential. The drawings we create, the buildings we make, the ideas we realize, it all begins with words. "Language is not merely a means of expression and communication; it is an instrument of experiencing, thinking, and feeling ... Our ideas and experiences are not independent of language; they are all integral parts of the same pattern, the warp and woof of the same texture. We do not first have thoughts, ideas, feelings, and then put them into a verbal framework. We think in words, by means of words. Language and experience are inextricably interwoven, and the awareness of one awakens the other." [1]
Cheapness and beauty must somehow find themselves back in the same sentence. [2]
_______________________
[2] If Boy George could do it in 1995 with his album Cheapness & Beauty, so can you!
posted by [ j e n n ] at 1:57 PM
oh my! oh my!
posted by [ j e n n ] at 1:45 PM
posted by [ j e n n ] at 1:05 AM
3.23.2006
3.22.2006
songs that keep repeating on the playlist today for no particular reason other than i like 'em & it's been a productive day...
get in the car, hail social
contratempo, lali puna
life turned upside down, badly drwan boy
the love that i crave, the blow
smell memory, mum
f*ck this sh*t, belle & sebastian
black turtleneck, solvent
soul meets body, death cab for cutie
advisory committee, mirah
eyes, rogue wave
where i love you, the blow
ageless beauty, stars
take me out, franz ferdinand
intertiatic esp, the mars volta
no cities left, the dears
aptitude, novillero
imaginary ordinary, architecture in helsinki
i love you (la la la), do make say think
argument, fugazi
rippin kittin, miss kittin
hate to say i told you so, the hives
he lay in the reins, calexicao/iron&wine
dare, gorillaz
une annee sans lumiere, the arcade fire
rae, autechre
je ne t'aime plus, manu chao
retour a vega, the stills
the observer, the flaming lips
this is not a love song, nouvelle vague
rocket ride, felix da housecat
dirty trip, air
impossible, les acrobates
pannonica, thelonius monk
man i used to be, k-os
killing all the flies, mogwai
publish my love, rogue wave
drunken tune, cinematic orchestra
a dreamy day of dreaming of you, of montreal
faking the books, lali puna
the step, !!!
posted by [ j e n n ] at 9:27 PM
i was saving this post to revise/add more to the list...but i wanted to share the commercial and i am oh-so-very-tired...so here it is unfinished
i look back to where i was two years ago (before starting grad school) and i see a very different person. i had no real concept or idea whatsoever that i would:
live in montreal for almost 6 months
finally do the europe trip i had planned years ago (tho by myself which wasn't planned)
get friends that are girls, really really good girls
officially fall in love for the second time in my life
actually turn 28
realize and accept that every interaction leaves traces (that's it, nothing more, nothing less)
be happy...genuinely happy
become confident in me
posted by [ j e n n ] at 2:29 AM
3.16.2006
3.13.2006
3.11.2006
daddy took his meds last night.
i love you.
posted by [ j e n n ] at 1:37 PM
3.10.2006
oh! oh! oh!
happy song for the day is felix da housecat's "rocket ride"!
dance party in studio today! draw! draw! dance! dance!
posted by [ j e n n ] at 2:15 PM
mr.bill-the-most-awesome-step-brudder-of-a-boss-evah-eva-!
George Antheil's (the self proclaimed "bad boy of music"- teeheehee!) 1925 masterwork, BALLET MECHANIQUE, which was never heard in its original version (for 10 percussionists, two pianists, three airplane propellers, electric bells, siren, and 16 player pianos) until 75 years after its composition, will be presented on the mezzanine of the National Gallery of Art's East Wing every day for over two weeks, starting on March 12. Performing it will be 16 computer-controlled player grand pianos and an orchestra played entirely by robots. This means it will be the fastest, most maniacal, and--thanks to the cavernous acoustics of the giant building--the loudest Ballet mécanique ever performed.
In conjunction with a huge exhibit on Dadaist art, which runs from now through May, the Music department of the National Gallery has commissioned a Ballet mécanique installation, which will be on display and performing from March 12 through March 29. The all-mechanical orchestra will be located on the mezzanine, next to the entrance to the Dada exhibit hall. At 1:00 pm (every day) and 4:00 pm (weekdays only), the orchestra will roar into action and play a 10-minute version of the piece.
In addition, the film Ballet mécanique by Fernand Léger and Dudley Murphy will be shown (without sound) continuously as part of the Dada exhibit.
Please come and experience the latest 21st-century incarnation of this long-forgotten 20-century masterpiece. For more information on the Ballet mécanique, visit http://antheil.org. To see the work of LEMUR, visit http://lemurbots.org. And for the National Gallery, visit http://www.nga.gov.
posted by [ j e n n ] at 1:41 PM
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